Libby Says...

 
 
Thursday, May 18th, 2006 Author: Libby Ingrassia
Please Get Serious, America: Reuters "Senate panel OKs gay-marriage ban" Time: 01:10:47 PM
Comments? Add / Read (4) Location:

A Senate panel advanced a constitutional ban on same-sex marriage on Thursday as the committee chairman shouted "good riddance" to a Democrat who walked out of the tense session.

"If you want to leave, good riddance," Senate Judiciary Chairman Arlen Specter told Wisconsin Democratic Sen. Russell Feingold, who refused to participate because, he said, the meeting was not sufficiently open to the public.

"I've enjoyed your lecture too. See you later, Mr. Chairman," Feingold told the Pennsylvania Republican before storming out. The testy exchange highlighted tensions over the proposal, which would amend the U.S. Constitution to prevent states from recognizing same-sex marriages.
Reuters "Senate panel OKs gay-marriage ban"

Putting aside for the moment what I believe should happen to this bill (difficult though that is, as I have some strong opinions), is this really what the Senate should be focued on right now? We're at war, still, in Iraq; we've got a serious diplomatic negotiation (or three) going in in Iran; half the country is up in arms over immigration issues; we have to decide how to deal with the Hamas-led government in Palestine; there is still havoc and worse happening in the Sudan... and our Senate spends its time worrying about a constitutional ban on same sex marriage? Talk about insecurity and wagging the dog.

Please America, focus.

 

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Saturday, May 6th, 2006 Author: Libby
Rules for Writing (adapted from Dr. Dennis Huston’s lectures) Time: 05:22:58 PM
Comments? Add / Read (8) Location: procrastinating

You all know I'm in grad school (probably, anyway).  You also know that I love to write and have been an editor for many years. Even editors can improve their writing and editing skills, however, and one of my professors, Dr. Dennis Huston, has helped me to do so this year. Dr. Huston spends at least an hour of the first class (each first class) talking about his specific rules for writing. In working with these rules this year, I've been able to apply them to almost anything I write or edit -- they improve the clarity and style despite some the fact that some of the "rules" are specifically Dr. Huston's pet peeves. The list below is adapted from notes taken in his classes over two semesters. I hope it's useful to help you improve your writing.

Please note that there's a lot more to good writing than what's contained in these rules. If you're really trying to learn to write well, the cardinal rule is to revise and edit as many times as you can stand, let someone else with a good eye look at the paper to edit it, and then edit a few more times. I've heard it said that the difference between good writers and great writers can be found in the number of times they edit their work before making it public. Of course, you have to know what to look for when you edit. Beyond the the suggestions in this list, you might also try some books like Strunk and White's Elements of Style, Zinsser's On Writing Well, or Shertzer's Elements of Grammar (just to name a few - if you really want a more exhaustive, annotated list, let me know -- I've got a shelf-full of books on grammar, writing, and editing and have opinions on most of them!).
  • Identify borrowed ideas from whence they came (particularly appropriate considering the current plagiarism scandals)
  • Make references to specific actions or quotes in the text as evidence (this advice is mostly about literary criticism, but if you're writing about something else, "evidence" is still necessary)
  • Exactly reproduce lines/quotes from the text (related to the identifying borrowed ideas concept -- if you're quoting, quote; if you're paraphrasing, you must still give credit for the idea in some way.)
  • Natural language is good (putting on language that is too academic or technical is usually unnecessary - when you have to use a technical term or phrase, define it; write so that you can be understood)
  • Cliches, colloquialisms, and swearing are bad (again, this advice is about literary criticism, but it's also good to consider the use of any of these "devices" when you do use them -- what do they add to your writing? used when appropriate, they can add something; used reflexively or habitually, they're annoying)
  • Try to write perfect spoken English -- read your paper aloud to make sure it sounds like good spoken English (consider the "natural language" advice above...)
  • Don't write more than 2 sentences that begin with the subject (Subj Verb Obj sentence structure) -- this structure is boring if used too much, and sounds like a written monotone (this advice is dr. huston's big personal pet peeve. while there will be times when it makes sense to ignore this advice - especially if you're not taking dr. huston's class - you'll find that there are more reasons to take the advice to heart -- variation in the sentence starters forces you to pay attention to your logical progression through your paper and create the transitions that are so important -- more on this idea below)
  • Vary sentence length and structure (more of the same -- don't write all short or all long sentences; it is more effective to mix sentence types, length, and structure the same way you vary your volume and tone when you speak)
  • Be wary of absolute statements (there are many shades of gray in the world and in literature. when you speak or write without acknowledging these, you are setting yourself up)
  • Voice - create a speaking (writing) voice that seems real -- write with yourself as the audience, in a critical but not unfair mood
  • Dr. Huston likes dashes (so do I) -- use to insert a sentence within a sentence
  • Get rid of passive voice -- choose active verbs (while there may be reasons and times to use linking verbs and passive voice, I've found that they're few and far between -- make your words work for a living and identify who's doing what to whom; save the passive voice and linking verbs for when you cannot avoid them or whenyou actually need them.)
  • Transitions are very important -- think about each sentence as a transition, building logically from the beginning of the paper to the end (i've come to believe that this advice serves all writers well; use it to improve not only your writing, but your actual logic/argument as well.)
  • Avoid "This" without a noun (should be self-explanatory, but if you say: "this is true," for example, I want to know what "this" is -- this argument? this advice? this sentence? etc)
  • Avoid "Due to" (most of us use this construction incorrectly - because or since should usually be your substitute)
  • Don't write more than 2 prepositional phrases in a row (makes your sentences too wordy...)
  • Other ways to start sentences: subjective conjunction (if, when, because, while); adverb (however, then); coordinating conjunction (and, but, or, for, nor, yet, so); prepositional phrases, participial phrases, infinitives, gerunds, noun clauses, object of the sentence first, fragments, questions (this advice goes with the idea of transitions and with the advice to vary sentence structure/starters... you should google these items if you need help figuring out what they are -- there are a lot of good examples out there; i've got more on "sentence starters" that I'll post another time...)

 

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Friday, May 5th, 2006 Author: Libby
AIDS prevention PSA Time: 04:45:17 PM
Comments? Add / Read (0) Location: Margo and David's

My friend Cindy sent me this and I just had to share. Consider it my good deed (public service announcments count!) for the week.

You'll have to click through an ad or two if you're not a Salon junkie like me, but this French AIDS-prevention PSA is worth it. If you'd rather find it elsewhere, just Google "Wilfred Brimo" and look for references to "Sugar Baby Love."

 I repeat, this is *not* work-safe. It's animated, but pretty explicit at times.

 I so dig a happy ending...

 

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Tuesday, May 2nd, 2006 Author: Libby Ingrassia
Interview meme via Jonvon Time: 05:25:09 PM
Comments? Add / Read (5) Location: home

I can't believe you guys weren't all much more "fibby" considering how haiku-y you have been in the past. But, ok. So, Jonvon posted an interview meme a while ago and I said I was game, so here are my answers to Jonvon's questions:
1.        How many books have you written and had published? What were they called? Why did you start writing them? (Sorry I don't know if there was one or more than one.)
On my own, I've got three publishing (book) credits as author, and a few more as technical editor or co-author. The books are all listed here, although I'm currently working on a new book that's not listed. Why did I start writing? A friend, Mike, who is the author of a best-selling A+ certification book suggested my name to his then-editor, Judy Brief (now Judy Bass). I'd always wanted to write a book, so it was a moment of perfect opportunity.
2.        What is your area of focus with your masters degree studies?
I'm in a Master of Liberal Studies program at Rice University. The program is interdisciplinary -- I'm mixing classes between science, social science, and humanities, although I plan to focus in the humanities.
3.        How did you get into yoga?
I actually have to give my ex full credit for talking me into my first yoga classes. But then when we moved to San Diego, I started taking yoga on the beach and got addicted to how it makes me feel.
4.        Why are you drawn to haiku?
Haiku requires so much attention to word choice that it really focuses what you're trying to say. In addition, although most of us only pay attention to the top layer of a haiku (it's syllables), there's really so much more to the form, including techniques like association, contrast, association, riddle, etc. Part of what I like is the puzzle -- the same reason I like the Fib -- but part of what I like is the complexity stuffed into such a small form.
5.        What countries have you been to? Which one was your favorite?
Wow -- good question. I've been keeping a list of countries, so here it is:
USA
Canada
Mexico
Ireland
Greece
Ireland
Italy
Switzerland
France (Paris, Nice (10/03), and also: St. Martin, an island dependency of France (Guadaloupe)).
Netherlands (Amsterdam, den Haag, and also St. Maarten, a island dependency of the Netherlands)
China
Japan
UK (including Hong Kong (I was there pre-1997) Bermuda, Anguilla, both of which are British dependency islands)
Jamaica
Vatican City
Macao (Portuguese overseas territory)
Monaco (Monte Carlo, as of 10/03)
Germany (Frankfurt and Kassel, 11/03)
Denmark (Copenhagen, 10/04)
Belize (December, 2003)

Added per the Travelers' Century Club's list of countries:
Hawaiian Islands
Anguilla
Leeward Islands (Netherlands) -- St. Maarten
Leeward Islands (French) -- St. Martin
Bermuda
Hong Kong


As for my favorite... that's a tough one. I think Ireland is very high on the list -- and I'll be going there again this summer to confirm it. :-)
6.        If you had to pick one author to take with you to an island, who would it be? (The book(s) of course, not the actual author. ;-)
Oooh, yet another toughie, Jonvon. There are so many writers whose works I can read, and read, and read, and read. I'd be torn between JRR Tolkein, Robrt Heinlein, Shakespeare, and Jane Austen, I think.

You know the drill, I hope -- if you want me to interview you, too, just post a comment. I'll give you some questions, which you'll then answer on your blog/LJ and give others the chance to be interviewed as well. If you don't have a blog, you can answer in the comments, too, of course. :-)

Thanks, Jonvon, and sorry for the slow response.

 

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